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Customer Reviews
Average Rating:
-
(Deborah Gibson ) AT HER BEST!!!!
Deborah really sing's her heart out on this cd
and it is a must for all of Deborah's Fan's.
Please take the time out and listen to some clip's
of some of the song's from the album. Thank's.
Love You Deborah!!!!
You are the Best!!!!
Rating: 
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Deborah delivers deliciously
After more than 15 years in the business, Deborah Gibson has learned many lessons and fulfilled many dreams. After 2001's horrifyingly misguided "M.Y.O.B.," she returns to the adult contemporary sound that landed her two number one hits on the Billboard charts, and turns that up a couple of notches. By selecting 13 showtunes from varying Broadway musicals, Gibson satisfies immensely, and delivers a unique compilation worthy of at least one full listen.
"Colored Lights" is not meant to be a showcase of hit tunes; many of the songs on this opus aren't radio hits. Instead, Gibson puts together a delicious smorgasbord of rhythmic melodies and heartfelt ballads that complement her voice (that, strangely enough, hasn't seemed to change that much after more than a decade in the industry).
What is also important to consider in one's evaluation of "Colored Lights" is that, while comparison with the original works/performers is inevitable, we should also take the time to consider that Gibson's pop sensibilities will always shine through. Perhaps it is for that reason, that Gibson has had the best of both pop stardom and Broadway success, that she gives new dimension to these melodies.
The standouts on this collection include "I'd Rather Leave While I'm in Love," which radio would do well to pick up, as the soothing melody and heartfelt delivery will find AC audiences easily; "On My Own," off "Les Miserables," where Gibson as Eponine sounds both heartbroken yet hopeful; the playful title track, from "The Rink," which features some of the most whimsical lyrics I've heard off Broadway thus far; "Raise the Roof," which is truly enjoyable in its pseudo-Latino reincarnation in Gibson's hands (yes, it does beg for a house remix; Gibson's gay audience will see to its success), and "Anytime (I Am There)," which is heartbreaking in its stark delivery, and is easily one of my top five Gibson tracks of all time.
Admittedly, Gibson can't overcome comparisons to the definitive versions of some of the songs. Let's face it: Debbie ain't no Barbra. Her versions of "I'm the Greatest Star" and "Who Are You Now?," while stellar on their own, just fall flat when compare to Streisand's. "Let Me Entertain You," off "Gypsy," ironically, isn't very entertaining, and "Blame It On The Summer Night" drags on.
All in all, "Colored Lights" puts together a collection of songs that are quite distinct and classy, and is easily one of the more worthy albums in Ms. Gibson's discography. She would do well to continue producing albums along this line instead of trying to fight the Britney's and Christina's, because those fads fade, and only the classics remain. Trust in "Colored Lights" to earn a well-deserved place in that section of your record collection.
Rating: 
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A pleasant and enjoyable novelty
I am not really familiar with the Broadway career of D. Gibson. I know her as a singer of pop songs and as a big star during the 80's. It is surprising to find out that she has played various roles on musicals. Anyway, the CD is a novelty. What is interesting here are the selection of the songs. Also, she is brave enough not to use the original arrangements and re-invent some songs. I particularly like Raise the Roof, I'd Gotta leave while im in love.
However, the downside of this recording is the vocal attack on the singer on some songs. In most of the songs, she sometimges seems not to hit the right note. She often scoops her voice. she also sounds more like a pop singer than a singer-actress.
The saving grace of this CD is the arrangement of the songs. Also, despite the unconventional vocal technique, the songs are given more focus, than the singer
Rating: -
Deborah delivers deliciously
After more than 15 years in the business, Deborah Gibson has learned many lessons and fulfilled many dreams. After 2001's horrifyingly misguided "M.Y.O.B.," she returns to the adult contemporary sound that landed her two number one hits on the Billboard charts, and turns that up a couple of notches. By selecting 13 showtunes from varying Broadway musicals, Gibson satisfies immensely, and delivers a unique compilation worthy of at least one full listen.
"Colored Lights" is not meant to be a showcase of hit tunes; many of the songs on this opus aren't radio hits. Instead, Gibson puts together a delicious smorgasbord of rhythmic melodies and heartfelt ballads that complement her voice (that, strangely enough, hasn't seemed to change that much after more than a decade in the industry).
What is also important to consider in one's evaluation of "Colored Lights" is that, while comparison with the original works/performers is inevitable, we should also take the time to consider that Gibson's pop sensibilities will always shine through. Perhaps it is for that reason, that Gibson has had the best of both pop stardom and Broadway success, that she gives new dimension to these melodies.
The standouts on this collection include "I'd Rather Leave While I'm in Love," which radio would do well to pick up, as the soothing melody and heartfelt delivery will find AC audiences easily; "On My Own," off "Les Miserables," where Gibson as Eponine sounds both heartbroken yet hopeful; the playful title track, from "The Rink," which features some of the most whimsical lyrics I've heard off Broadway thus far; "Raise the Roof," which is truly enjoyable in its pseudo-Latino reincarnation in Gibson's hands (yes, it does beg for a house remix; Gibson's gay audience will see to its success), and "Anytime (I Am There)," which is heartbreaking in its stark delivery, and is easily one of my top five Gibson tracks of all time.
Admittedly, Gibson can't overcome comparisons to the definitive versions of some of the songs. Let's face it: Debbie ain't no Barbra. Her versions of "I'm the Greatest Star" and "Who Are You Now?," while stellar on their own, just fall flat when compare to Streisand's. "Let Me Entertain You," off "Gypsy," ironically, isn't very entertaining, and "Blame It On The Summer Night" drags on.
All in all, "Colored Lights" puts together a collection of songs that are quite distinct and classy, and is easily one of the more worthy albums in Ms. Gibson's discography. She would do well to continue producing albums along this line instead of trying to fight the Britney's and Christina's, because those fads fade, and only the classics remain. Trust in "Colored Lights" to earn a well-deserved place in that section of your record collection.
Rating: -
Bravo!
My brother gave me "Colored Lights" for my birthday knowing that
I have been a fan of Deborah's since her debut as "Debbie". I have to say this CD lives up to the heart of Deborah Gibson's musical career.
Deborah is true artist here. "Colored Lights" among "Out of the Blue" "Electric Youth" and "Think With Your Heart" represent the most emotionally captivating and real music ever to come from her.
I would love to see a DVD production of videos and concert of "Colored Lights"! As Deborah knows how to put on a real show in concert halls/theatres.
