R. Strauss - Salome

DVD : R. Strauss - Salome

R. Strauss - Salome

starring: Teresa Stratas, Astrid Varnay, Bernd Weikl, Hans Beirer, Wieslaw Ochman
directed by: Götz Friedrich



 : R. Strauss - Salome
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Aspect Ratio: 1.33:1
Audience Rating: NR (Not Rated)
Binding: DVD
EAN: 0044007343395
Format: Classical, DTS Surround Sound, NTSC, Subtitled
Label: Deutsche Grammophon
Manufacturer: Deutsche Grammophon
Number Of Discs: 1
Number Of Items: 1
Publisher: Deutsche Grammophon
Release Date: 2007-07-10
Studio: Deutsche Grammophon
Theatrical Release Date: 2007



Editorial Review:

Amazon.com This filmed version of Strauss' shocker features Teresa Stratas as opera's most depraved teenager, and she's as perfect a Salome as one would ever hope to see or hear. Stratas inhabits the role, exploring the character's sensuousness as she vainly woos Jochanaan, her venomous hatred when she's rejected, the crazed look in her eyes when she demands his head--on a silver platter, no less. Such complete identification with a role, especially of a character so malignant helps make this 1974 Salome stand out among the many fine DVDs of the opera.

The visceral impact of the film owes much to Götz Friedrich's direction and Gerd Staub's sets. All of the action takes place in the courtyard of Herod's palace, but Friedrich exploits the claustrophobic possibilities of limited space by his deft camera angles that follow the singers and by copious close-ups that often show details unavailable to us when we see the opera live or even in a filmed stage performance: Stratas' face and eyes, which reflect her swift mood changes, Jochanaan's face, which shows his disgust, and the corrupt visages of Herod and Herodias. The cumulative effect of such close-ups heightens tension and creates an atmosphere in which we, the viewers, are thrust into the action. It's not always a comfortable experience but it's always an engrossing one. Staub's sets and the costumes designed by Jan Skalicky are more or less generic but functional, with nice touches like the headpiece Stratas wears, which emphasizes the reptilian slithering of her movements The veils in Salome's famous dance and some of the robes worn by the courtiers add touches of color to the overall grayness that emphasizes the claustrophobic elements of the opera.

While Stratas' overwhelming performance commands prime attention, the cast is a strong one. The great Wagnerian soprano Astrid Varnay, long past her vocal prime, is a venomous Herodiade whose facial expressions mirror her inner corruption. Varnay's portrayal comes perilously close to being over the top but that may be said of others in the cast, too, as Friedrich seems to encourage excess in an opera that wallows in it. Hans Beirer's lascivious Herod, for example, is also broadly interpreted, but very well done in the context of Friedrich's framework of a decadent sex-obsessed court. The role of Jochanaan is taken by Bernd Weikl whose sonorous singing and acting vividly portray his scorn for his captors and his repulsion at Salome's sexual aggressiveness.

The sound mix favors the singers and downgrades the orchestra, itself a central character, though rather attenuated, as it comments on the action and elaborates on the sung lines. Karl Böhm, a great Strauss conductor, leads the sumptuous Vienna Philharmonic in a performance that, in spite of its dim placement, illuminates Strauss' orchestration. All in all, this is a must-have Salome. --Dan Davis
















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Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - R. Strauss - Salome Stratas,Bohm
Wonderful performance from a star who never did the opera on the stage, but she's excellent in this production- but so is the rest of the cast. Bohm, as usual, is a master with R.Strauss. Well worth the price-particularly when compared to ticket prices.



Rating: 5 out of 5 stars - A superb production
This must be one of the best DVDs of opera available.
Although it is old (1974) the image quality is more than fair, being a studio production The sound quality is excellent.

The director, Götz Friedrich, really exhibits his genius in this production. The sets are wonderful and very atmospheric, with an immense well at the side of the stage and the courtyard of Herod's palace being as it should. The costumes are very good, but above all the acting and the movement of the principles is superb.

Teresa Stratas must have given the performance of her life. She is perfect as Salome, playing the part of spoiled little brat that always had to have her own way, ignoring and really not caring about the consequences. She moves so much in tune with Strauss's music, she acts superbly and sings beautifully. Astrid Varnay, although grotesque in appearance portrays superbly the part of her mother. Bernd Weikl is vocally excellent and acts very well as Jochanaan, but he appears rather plumb and overfed for a starving prophet. The rest of the cast is good and Hanna Schwarz, as usual, is an asset to any production.
Karl Böhm and the Vienna Philharmonic provide an immensely rich orchestral sound with a very tight and dramatic conducting from Böhm.

I have seen other productions of Salome on DVD and on the stage. I firmly believe that none of them even begins to approach this one in terms of quality. I recommend this set as being far better than all the others, including Peter Hall's superb production from Covent Garden.
R. Strauss - Salome



Rating: 5 out of 5 stars - deliciously repulsive, yet fascinating
Whether this is your first experience with Salome or if you are already a dyed-in-the-wool Strauss fan, this Salome is for you!
Why? As other reviews have mentioned, Teresa Stratas is beautiful and perfect for the role, and she remains totally involved in the action through the entire opera.

Also, Astrid Varnay is the quintessential Herodias, a "painted queen" who is desperately clinging to her control over her husband and will use anything--even her own daughter to manipulate the man. Her diabolical laughter resounds as pure evil.

Karl Bohm is the greatest Strauss conductor, and he shows it here, letting Strauss' chords rise just as powerfully as the composer would wish. Bernd Weikl's strong voice of a prophet is perfect for the role of Jochanaan, and his looks complement the descriptions that Salome makes of him.

But what really makes this Salome a "must" for you, is that this great one-act opera was produced as a film. This allows the camera to go in close on the players in this psychologically tormenting story. It actually helps us understand the interplay of all the characters as the camera watches their reaction to each other. Recordings, or even live on-stage performances do not allow you to watch some of the reactions that are so important in a psychological drama such as this.

Money was not spared in the costuming and staging, which let you feel as if you're looking right at the Judea of Herod's time.

The director (Gotz Friedrich) has also frequently placed Salome and her mother side-by-side, so that we can compare their reactions to Herod. It is a lesson in acting, to watch Herodias (Astrid Varnay) in her reactions to each sequence of Salome's dance. Even the shocking old queen can be shocked.

Yes, the "Dance of the Seven Veils" is perfect, but seeing Stratas lithely and gracefully moving around the stage is certainly just what Strauss intended for his prima donna, whom Herod calls "her mother's child."
At the end, we find that Herod, Herodias, and Salome all end up being deliciously repulsive, yet fascinating.



Rating: 4 out of 5 stars - Shy Teresa or shy Böhm?
I'll be getting this DVD, but I'm recalling the Laserdisc iteration. Every praise heretofore said about Stratas and Varnay is absolutely true. BUT, and somebody has to say it, it seemed to me that a clumsy clip was made at the end of Salome's dance. In a microsecond she had turned 180° and her backside was airbrushed.

Two questions arise if my perception was correct: Why? Is the scene restored on the DVD?

We shall see. A viewing of Stratas in the Ponelle production of Pagliacci shows her to have more than adequate below-the-waist star quality. And, after all, it is a video.



Rating: 5 out of 5 stars - This is THE one to have
I have had this performance on the old 12" video disc format for years and then the machine broke down. Now I have it back with this DVD. For those who love this opera Stradas is THE perfect Salome in the perfect vehicle. To make the leap from just great music to believability that Herodes would give up all just to see her dance you need an wonderful actress with a great voice and she's it. The production and supporting cast are wonderful as well especially since it's a film and you get views that a simple stage production can't do justice to.



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: Photo: Dave Bullock/Wired.com

LOS ANGELES — Scientific accidents have brought some of the most groundbreaking discoveries — vulcanized rubber, X-rays, penicillin — and now scientists at UCLA have accidentally discovered a material that could make digital cameras as we know them obsolete.

Graduate student Hsiang-Yu Chen was working on a new formula for solar cells when something went wrong. Instead of creating electricity when hit with light, the conductivity of the material she was working with changed.

"The original purpose [was] to make a solar cell more efficient," says Chen. "However, during the research we found the solar cell phenomenon [had] disappeared." Instead, the test material showed high gain photoconductivity, indicating potential use as a photo sensor.

Thanks to this lucky mistake, a new breed of camera sensors that are cheaper, higher-resolution and have lower distortion could be on the horizon. Click through the gallery to learn how this new breakthrough works and tour the labs where the magic happens.

Left: A piece of glass houses five strips of this new material, held between tweezers in a glove box.

: Photo: Dave Bullock/Wired.com

Here, materials science Ph.D. student Hsiang-Yu Chen takes a polymer sample from a tray inside a glove box. Researchers in this lab test hundreds of samples before a material with desirable properties is found.

When Chen made the discovery, she was working on plastic-like substances with quantum dots — nanoparticles (roughly the size of a virus) with properties similar to a semiconductor.

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: Photo: Dave Bullock/Wired.com

At left is a pair of stills that concentrate polymer solutions. Later, the solutions will be tested for their response to light.

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: Photo: Dave Bullock/Wired.com

The polymer- and metal-coated slide from the first photo of the gallery is now placed into an electrode clip (the white, rectangular portion of the setup). The electrodes on the clip will enable sensors to take readings from the material when it's exposed to light.

: Photo: Dave Bullock/Wired.com

The sample in the electrode clip is inserted into the test chassis. The wires on the right send any electrical activity from the material to a computer for analysis.

: Photo: Dave Bullock/Wired.com

A very bright, wide-spectrum light source is connected to the glove box. It's attached to the portal using a standoff header that keeps the light a fixed distance from the sample. The light appears blue because the light in the room has a yellow cast, it's actually much closer to the color of daylight.

: Photo: Dave Bullock/Wired.com

Hsiang-Yu Chen checks the results of the test using a computer and laboratory graphing software. The graphs show the response levels to the light that the material exhibited.

In her initial experiment she was expecting to see electricity produced when the light hit the material, but instead the light stopped the flow of electricity. This means that her material acted as a photo detector instead of a solar cell.

The lab still remains committed to developing a better solar panel, but now that their findings have been published it may only be a matter of time before camera companies take notice of the technology.

: Photo: Dave Bullock/Wired.com

An atomic force microscope is used to image the polymer sample to view its physical makeup. The AFM traces the surface of the polymer with a nanoscopic needle, the same way the needle on your record player tracks over vinyl.

This needle is attached to a cantilever that reflects a laser beam, which then determines the three-dimensional topography of the surface. Inset is the resulting micrograph of the surface from the AFM. This view allows researchers to make sure the quantum dots are properly aligning in polymer.

: Photo: Dave Bullock/Wired.com

This tunneling electron microscope (TEM) is used to view the physical makeup of the polymer. The level of detail visible from the TEM micrographs is a few hundred nanometers. Inset is the micrograph created by the TEM of the photosensitive polymer.


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MUMBAI (Reuters) - Indian investigators said on Monday the militants who attacked Mumbai underwent months of commando training in Pakistan, raising tensions between the nuclear-armed neighbors as recriminations mounted in India.





R. Strauss - Salome

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