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Rating: - RI (and only if) YL
how Beck would sound with Danger Mouse producing. I love (or seem to love) almost anything that Danger Mouse produces - his update on the general sound vibe of the '60's is something that never seems to get old for me (and he always seems to make his albums under 40 minutes or so).

Danger Mouse gets the first mention because Beck's sound is ALWAYS different. There's always something to get into your system upon the first listen or so, there's a good distorto-track ("Walls") with some good lyrics about ego destruction that could operate as the sequel to "Just A Thought" from "St. Elsewhere".

I like it because after "The Information" I dismissed "Guero" as being too ... Read More

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Rating: - Misunderstandings of the Experimental Music Genre
If I may say that I'm a pure-at-heart-lover of real music...meaning this, I pretty much have to like ALL of the songs on a individual(s) album before I buy it. I've read some of the reviews after buying and listening to the album...and I truely feel that some on too critcal when it comes to this album. All Beck's doing is finding another route as of music...most of the songs of Modern Guilt sound like some of his past work but with a twist and the lack of his usual one-liners and jokes. I mean those that are saying they are fans can't really be because if they were they would know that this album is part of the experimental genre...which as he claims himself to be...or maybe some people don't ... Read More

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Rating: - Electronic Psych-rock
If you have any experience with Beck's music you know his lyrics are always interesting and unlike most other musicians. This album is no different offering Beck's obscure lyrics, explosive sound, and synthesized beats. Several of the songs have a psychedelic feel to them including the opener Orphans. Gamma Ray, one of my favorites starts off like the theme to a James Bond film then kicks into an infectious groove. Chemtrails starts off slow, with a soft vocal then opens up into a rockin' drum track. Modern Guilt is also one of my favs, starts off with a distorted drum beat, adds piano, a mellow vocal then includes a cool guitar riff. Youthless is next with all kinds of synthesized beats wrapped ... Read More

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Rating: - Best Beck yet!
...In hindsight, we now see that he was essentially beefing up his production rate in the years between Mutations and Modern Guilt to complete his contract with Geffen. However, it's with Modern Guilt that he crafted perhaps his most graceful maneuver. Commandeering Dangermouse for the rhythm section to accompany his next set of serious melodic songs was a brilliant move. Having Dangermouse on board allowed Beck to challenge notions of loosing relevance in modern times, but also to set the stage for an awesomely anti-climactic farewell to his label, because Dangermouse applies a decidedly more meek and much different overall approach than the Dust Brothers, although equally sample driven and not dominated ... Read More

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Rating: - Talented Musician Shines Again
Beck never disspoints and since his break through Odelay, he continues to change and produce good music.

His newest record conitnues his traditiion. Electronic with grooves and cool playing or real instruments. Gamma Ray, Modern Guilt (with its groove) and Replica are three of my favorite tracks.

Also if this is the first time you have heard of Beck, make sure to get Odelay, which remains my favorite Beck record.