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Back Related Items: Binding: Audio CD EAN: 0015707984423 Label: Vanguard Records Manufacturer: Vanguard Records Number Of Discs: 1 Publisher: Vanguard Records Release Date: 2007-10-30 Studio: Vanguard Records Rating: - Dirt FarmerLevon Helm is awesome. Lyrics are great and the music flows and hits every lick. Rating: - Roots Music at its bestThis is my favorite album of the past two years. That 's saying alot because many fine albums have been pressed. However Levon Helm captures the soul of America and sings with a heartfelt passion very seldom heard. Bravo to Leon Rating: - 4.5 Stars.... Outstanding album from Levon HelmI saw Levon Helm at Bonnaroo a few weeks ago (more on that later) and that made me seek out his 2007 album. We are all aware of Helm's struggles, including recovering from throat cancer, so I couldn't wait to hear the album. And what a delight that turns out to be. "Dirt Farmer" (13 tracks; 52 min.) brings Americana-music in its best form. Levon Helm takes lead vocals of course on the album, and switches from drums to acoustic guitar throughout the album. His daughter Amy Helm augments on backing vocals throughout, as well as paying drums and other instruments on a number of songs. My favorite tracks include "Poor Old Dirt Farmer", the delightful "Got Me A Woman", which is followed ... Read More Rating: - He's seen fire and he's seen painThroat cancer took his voice, fire took his recording studio and yet, Levon Helm is back strong. His voice doesn't sound quite the same as it did in days of The Band, but you can tell it's him. Most of this music came from his roots, traditionals he heard as a kid in Arkansas. His daughter Amy, one of the key players in folk-roots Ollabelle, plays and sings along with him in addtion to Larry Campbell, who can play just about every instrument--and has done so with many of the top acts, like Lyle Lovett. He puts the troubles up front, "Dirt Farmer" talks about losing the farm with nothing but stone to grow. "False Hearted Lover Blues" is pretty self explanatory and "This Mountain" talks ... Read More Rating: - Welcome BackYes the voice is a bit ragged but it's great to hear new songs by Levon. Some catchy tunes in Helm style. |
Ted Shelton: "Frankly I felt that BlogOn was a waste of time and money."
I think the BlogOn conference was overproduced. In the name of professionalism the organizing firm turned off potential speakers, oversubscribed sponsors, etc.
I would have liked a debatable topic (aside from *blogging = journalism*. Two people slugging it out. Or a devil's advocate taking challenges from the floor.
I would have liked more hard numbers. Facts. Charts. Diagrams. We have the analytic tools to BS-check them; harder on vague opinions and single-points-of-observation.
I found it disturbing how much money was being commanded (from both attendees and sponsors) for a conference at a university. Maybe it was because it was at Berkeley? Maybe we should have taken over a community college or a Cal State or a DeVry. The facilities costs would have been cheaper at least. I heard an organizer apologize and say the next one would be at a hotel, like that would have been better.
Cost wasn't the whole problem. We're at a stage where early adopters are meeting folks who want to leap the chasm. Huge gaps in knowledge, experience, context, culture, vocabulary. It's the gap.
There are huge ideas to be explored, even in the world of applying blogs to media strategy and the enterprise. And most of the big ideas weren't even on the agenda at BlogOn. Probably because it was catering to those who want to commercialize, fund, and otherwise exploit (excuse me, "get in on") the emerging medium.
Let's fork these conferences so advanced topics on business and technology and culture fit the participants.
In a dusty supply closet at 1 Times Square, a computer terminal hooked up to hordes of ethernet servers, RAID arrays and monitors humbly runs the largest LED sign in the world. The sign, a 3-sided, 17,000-square-foot Goliath, debuted last night at the opening of a Walgreens in New York City. Today, I got to see what makes it tick.
Each side of the sign, designed by D3 LED, requires a 48-drive RAID pumping data at a rate of 3.2GB/second to a custom-built PC. From there, the data is fed through graphics cards to multiple DVI pipes, which lead to six DVI pixel splitters (known as a Spyders). The splitters take video data of a specific resolution and upscale it to the size needed for the display. Once the data is crunched and formatted for the sign, it's sent out via 4Gbps ethernet to one of more than 12,000 display modules that make up the ginormous billboard.
Each module is a mini-computer, complete with MAC address, redundant 4-gigabit ethernet ports, power supply and a fan. Each panel can report all kinds of vital statistics, including its temperature. If there's a problem, the panel reports itself to the main computer for easy troubleshooting. (Like a good communist, it can report problems with its neighbors, too.) The majority of the electronics are accessible from inside, so dangerous repair jobs on scaffolding suspended over Times Square are a thing of the past.
The sign's modules are split into three sections, low-, medium- and high-resolution grids based on their distance from the street. (Why waste pixels for objects way high up?) The top, as you probably guessed, has the largest pixels, at 24mm, while the middle has 12mm and the bottom has 10mm.
The animators are faced with a tough challenge when creating content for the signs, as they must keep the different display sizes in mind so the animation appears cohesive throughout the sections. To help out the animators, sign creator D3 LED made a virtual copy of it that is 10,000 pixels high by 4,000 pixels wide, the equivalent of 43 megapixels. (It's 20 times the resolution of HD, too.) They use an Adobe After Effects template to help coordinate placement of the animations on the slash-shaped sign.
As previously reported, a single 30-second spot on the billboard requires a staggering 150GB of data transferred through the system. But before you accuse D3 and Walgreens of hogging all of the power in New York, they attest that they are not. With the Con Ed bill in mind, their design reduced unnecessary copper wiring by over 300,000 feet and increased the voltage for more efficient power. They also set up an auto-dimmer (like you might have on your laptop) that adjusts the luminosity of the LEDs based on the ambient light outside. All of this makes it not necessarily cheap but at least cheaper than you'd think to operate.
The Walgreens sign is a complex, fascinating testament to the sheer power of LED displays. While most people living in New York avoid Times Square exactly because of things like this, tourists will undoubtedly flock to the center to observe the sign up close, even though it can be seen from as far away as Bryant Park and the Port Authority. For now, it's something that even this semi-jaded NYC resident can appreciate. [Walgreens Sign on Giz]